2007 saw a lot of horror movies hit DVD, but which ones were actually worth trudging to the video store?
15. The Other Side
Given its low, LOW budget, this story of bounty hunters from Hell (literally) features amazing action set pieces.
14. Blood Car
In this horror/comedy, a man builds a car with an alternative fuel source: human blood! And the human-er, the better. Although the humor doesn't always work, if all low-budget horror films were this imaginative and well-written, a lot fewer broken DVDs would be returned to Blockbuster.
13. Slaughter Night
This supernatural slasher from the Netherlands is pretty standard but manages to achieve something that so many similar films have failed at recently: competency. Bravo!
12. Big Bad Wolf
Although it couldn't afford the fancy werewolf makeup and effects of Skinwalkers and Blood and Chocolate, Big Bad Wolf turns out to be the best lycanthrope film of the year.
11. Black Sheep
Who can resist zombie sheep? This New Zealand entry might've benefited from taking a page from fellow Kiwi Peter Jackson's splatter-fest Dead Alive, but even though it holds back a bit, Black Sheep still shines when it counts.
10. The Tripper
Those of us who grew up in the '80s know that even without an axe, Ronald Reagan is scary, so seeing him toting around a big ol' hippy-killer in a forest full of tree huggers is the stuff of nightmares.
9. Severance
Live out your fantasies of dismembering your coworkers in this wry British mix of The Office and The Texas Chainsaw Massacre.
8. The Host
It's a bit overrated, but this South Korean flick delivers genuine thrills and one of the best movie monsters in recent memory.
7. Isolation
If you think that Irish horror has to include Warwick Davis running around in a Leprechaun suit, try Isolation on for size. Genetic experimentation on a dairy farm leads to the creation of a parasitic creature in this taut thriller that will teach you more than you ever wanted to know about birthing a calf.
6. Behind the Mask: The Rise of Leslie Vernon
This sly "mockumentary" about a fictional slasher villain (as opposed to a real slasher villain?) ingeniously blurs the line between film and reality while poking fun of the genre's clichés. It would rate higher if it didn't lose the documentary format and ironically degrade into a typical slasher by the end.











