The Sixth Sense:
The Sixth Sense established Shyamalan not only as a master of suspense, but also as a blockbuster filmmaker. It established his style of dramatic, personalized thrills, shaped by both his direction and his writing. Perhaps most notably, though, it established his slight-of-hand storytelling, which culminated in one of the most infamous "twist endings" in cinematic history. The twists would continue through Shyamalan's next few movies, becoming a trademark that would characterize his early career.
Like The Sixth Sense, Unbreakable portrayed the human side of supernatural occurrences, while also delivering suspense and a twist ending. Despite Shyamalan's fear of being pigeonholed as a "scary movie" director, the studio marketed Unbreakable as a spooky film in the vein of The Sixth Sense. The tactic didn't parlay the film into the runaway success that The Sixth Sense enjoyed, but Unbreakable still managed to gross almost $100 million domestically at the box office, more than enough to ensure the director's A-list status.
The aliens in are decidedly more ominous than those in, say Close Encounters of the Third Kind, as Shyamalan plays the invasion with a horror sensibility, delivering scares without the modern crutch of gore. Although the film's reception was largely positive, some fans and critics began to tire of the director's twist endings, which by now threatened to become career-defining gimmicks.
In the writer-director's typical fashion, the film focuses more on the human dynamics between the characters than on the supernatural element of the "creatures." Despite the criticism it garnered, though, The Village managed to earn over $100 million in the US, the third time in four tries that Shyamalan had reached that mark.
Lady in the Water:
In 2006, Shyamalan would receive his harshest criticism for the film that strayed farthest from the horror/suspense fold, Lady in the Water. Like Unbreakable, it sought to take a supernatural tale -- in this case, a fairy tale as opposed to a comic book -- and make it "real." In the film, a man comes in contact with a water nymph who's pursued by an ominous, grassy wolf-like creature. The end result was a hodgepodge of fantasy and monster movie that was panned by critics and fans alike (although ironically, it didn't have a twist ending). It was the first big-budget financial bomb of the director's career.
Back to Horror:
Although he's shied away from being labeled a director of scary movies, Shyamalan returned to that route for his next project, The Happening, hoping to recapture the suspenseful magic that spurred The Sixth Sense and Signs He followed that up by announcing his Night Chronicles banner, a series of three horror movies produced by Shyamalan based on his fertile imagination.
Select Horror/Suspense Filmography:
- Devil (2010) [Writer/Producer]
- The Happening (2008)
- Lady in the Water (2006)
- The Village (2004)
- Signs (2002)
- Unbreakable (2000)
- The Sixth Sense (1999)