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'Chernobyl Diaries' Movie Review

About.com Rating 1.5 Star Rating
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By , About.com Guide

Chernobyl Diaries poster © Warner Bros.
For those of us of a certain age, the 1986 Chernobyl nuclear disaster was one of the more sobering accidents -- along with the Bhopal disaster and the Challenger explosion -- of an often carefree decade, one that humanized a Soviet populace that we in America were conditioned to distrust. Now, more than 25 years later, time has dehumanized them once again, spurring Hollywood to swoop in and exploit the incident for the run-of-the-mill horror movie Chernobyl Diaries.

The Plot

After seeing the sites in England, France, Italy and Germany, a trio of American tourists -- Chris (Jesse McCartney), his girlfriend Natalie (Olivia Taylor Dudley) and her friend Amanda (Devin Kelley) -- head to Kiev to visit Chris's older brother Paul (Jonathan Sadowski). Paul has been living in Ukraine for some time, and he convinces the group to continue their trip not in Moscow as planned, but rather in the ghost town of Prypiat, which has been abandoned since the meltdown at the nearby Chernobyl Nuclear Power Plant two decades earlier.

Paul's friend Uri (Dimitri Diatchenko), who claims to have been leading this sort of "extreme tour" for a while, drives the foursome and another pair of tourists -- Aussie Michael (Nathan Phillips) and his Norwegian girlfriend Zoe (Ingrid Bolsø Berdal) -- to Prypiat but are stopped by guards. Undeterred, they sneak in through a back way and explore the barren town, but unbeknownst to them, they're not alone. It turns out the area isn't as abandoned as they think, and the inhabitants have deadly plans for the interlopers.

The End Result

L-R: Jonathan Sadowski, Olivia Taylor Dudley, Devin Kelley, Jesse McCartney and Ingrid Bolso Berdal

L-R: Jonathan Sadowski, Olivia Taylor Dudley, Devin Kelley, Jesse McCartney and Ingrid Bolso Berdal in 'Chernobyl Diaries'.

© Warner Bros.
As exploitive as Chernobyl Diaries may be, it's concept is tailor-made for a horror movie. It basically revisits "backwoods" fare like The Hills Have Eyes or Wrong Turn, coupling it with the xenophobic angle of Turistas or Hostel. The eerily empty setting is a character in and of itself, a town frozen in time that seems to hide horrors behind every rusty door. Unfortunately, the threadbare script and toothless execution fail to take advantage of the juicy potential.

It's surprising that Paranormal Activity creator Oren Peli is credited with writing this thin drivel (although in hindsight, Chernobyl is the only script he's credited with writing since PA, so it's hard to know which one is the fluke). It's actually co-written by two of Dick Van Dyke's grandsons, Casey and Shane, whose writing résumés to date are dominated by cheapo Asylum "mockbuster" ripoffs, which should give you an indication of the level of script we're dealing with. Character development is nil (He's the reckless brother! He's the responsible brother! These girls like them for some reason!), the plot delivers neither twists nor shocks, and the villains that should be the highlight of the film are so glossed over that it wouldn't have made a difference in the story if they had been rabid otters.

First-time director Bradley Parker, a visual effects guy who puts little of his visual flair to good use on screen beyond a couple of semi-POV shots that emulate the "found footage" format, inexplicably obscures the villains for the entire movie. They're perpetually hidden in shadows, as is most of the action, making the viewing experience of watching such a shoddy script all the more frustrating.

The Skinny

  • Acting: C (Competent, horror-standard stuff.)
  • Direction: D+ (Bland; fails to reflect the edginess inherent in the concept.)
  • Script: F (Toothless and predictable with half-baked mythology.)
  • Gore/Effects: C (Surprisingly modest gore, often obscured by the direction.)
  • Overall: D+ (Shallow, even for a horror movie, with little sense of imagination, intelligence or ambition.)

Chernobyl Diaries is directed by Bradley Parker and is rated R by the MPAA for violence, some bloody images and pervasive language. Release date: May 25, 2012.

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